Frank Gehry Selects

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.

Opening Reception: Saturday, July 24, 2010, 6:00 to 8:00pm

When Frank Gehry took a ceramics class in college, it marked a turning point. His ceramics teacher at the University of Southern California, Glen Lukens, clearly recognized Gehry's interest in architecture. Since Lukens was building a house designed by architect Raphael Soriano, he invited the young Gehry to visit the site one day. That's when Gehry got excited about architecture: "I do know a lightbulb went off when I saw Soriano," he recalled.

Since that time, Gehry has maintained his interest in ceramics, too. He made ceramic works during his student days at USC, and he has collected work by Glen Lukens, Ken Price and George Ohr. He has been friends with Peter Voulkos, John Mason, Billy Al Bengston and Elsa Rady for decades. He was the architect for the Ohr-O'Keefe Museum in Biloxi, Mississippi, as well, and that museum will hold a collection of pottery by George Ohr.

This exhibition grew out of a conversation between Frank Lloyd and Frank Gehry. It started as a casual idea, and grew into an exhibition—works chosen by Gehry, by people that he knows and respects. It marks an opportunity to see a variety of approaches to ceramic art, in a selection by a world-class architect. The exhibit also demonstrates, once again, the integration of the ceramic arts into the larger world of Southern California art and architecture.