There are other places on the web to find information and news about the gallery. To explore these other resources, click the links below:
Frank Lloyd's Blog
Fans of Larry Bell will enjoy his recently updated website: http://larrybell.com. Featuring clean lines and beautiful photography, the new site offers visitors a look into the artist's studio practice and current exhibitions, as well as installations and archival images.
The first exhibit to include light knots was at Frank Lloyd Gallery in 2013. As the Bell studio states, "In terms of material weight and mass, the light knots are by far the most minimal works in Larry Bell's oeuvre. They also may be seen as products of Bell's most improvisational decision-making and technique, an accumulation of lessons in responding to his materials with spontaneity and intuition gleaned in nearly 60 years in the studio. Composed of thin sheets of polyester coated with aluminum and silicon monoxide, which Bell then twists into a knot. Each hanging form retains or changes its shape through gravity acting upon the object's own surface tension."
On their new website, Sprueth Magers has posted two past exhibits for Craig Kauffman, one in their Berlin space in 2016, and another in their London branch in 2017. Sprueth Magers has presented highly researched exhibits which re-contextualize Kauffman's work. The show at the London gallery includes a video narrated by the curator, Frank Lloyd.
The Estate of Craig Kauffman is pleased to announce the online publication of a completely updated and expanded bibliography. Compiled by the Craig Kauffman Catalogue Raisonné project, which seeks to research and document artworks by Craig Kauffman, this comprehensive online resource is now available to writers, curators, researchers, and scholars. To access this resource, go to: http://www.craigkauffman.com/publications
Adrian has a new website: www.adriansaxe.com. Here, visitors will be able to access images of artworks, selected exhibitions, archival publications, and a biographical chronology.